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Miklós Jancsó (; 27 September 192131 January 2014) was a Hungarian film director and screenwriter. Jancsó achieved international prominence from the mid-1960s onwards, with works including ''The Round-Up'' (''Szegénylegények'', 1965), ''The Red and the White'' (''Csillagosok, katonák'', 1967), and ''Red Psalm'' (''Még kér a nép'', 1971). Jancsó's films are characterized by visual stylization, elegantly choreographed shots, long takes, historical periods, rural settings, and a lack of psychoanalyzing. A frequent theme of his films is the abuse of power. His works are often allegorical commentaries on Hungary under Communism and the Soviet occupation, although some critics prefer to stress the universal dimensions of Jancsó's explorations. Towards the end of the 1960s and especially into the 1970s, Jancsó's work became increasingly stylized and overtly symbolic. ==Early life== Miklós Jancsó was born to Hungarian Sandor Jancsó and Romanian Angela Poparada .〔(Miklós Jancsó Interview )〕〔Wakeman, John. ''World Film Directors'', Volume 2. The H. W. Wilson Company. 1988. 465–472.〕 After graduation he studied law in Pécs, receiving his degree in Kolozsvár (Cluj) in 1944. He also took courses in art history and ethnography, which he continued to study in Transylvania. After graduating, Jancsó served in World War II and was briefly a prisoner of war.〔 He registered with the legal Bar but avoided a legal career. After the war, Jancsó enrolled in the Academy of Theatre and Film Arts in Budapest. He received his Diploma in Film Directing in 1950. Around this time Jancsó began working on newsreel footage and reported on such subjects as May Day celebrations, agricultural harvests and state visits from Soviet dignitaries.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Miklós Jancsó」の詳細全文を読む スポンサード リンク
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